哈尔的移动城堡

中俄再次达成一致！必要时动用五常特权，对日行动无需联合国审批,元衡防务,原创中俄再次达成一致！必要时动用五常特权，对日行动无需联合国审批,一纸旧条款，锁住新野心,千岛起波澜，大使玩失踪,昔日枷未松，今朝剑再出_我的网站

极速前进

A | 2026年8月中旬，围绕日本问题出现的一轮中俄同频表态，成为最近这段时间国际舆论场上最有分量的一组画面。莫斯科先出招，北京紧跟着接过话头，两国不约而同把《联合国宪章》“敌国条款”这张已经存在八十年的“老底牌”重新摆上台面，并且亮明了一个态度：如果日本继续沿着眼下这条脱轨的路走下去，五个常任理事国是可以动用五常特权、不经联合国安理会审批直接对日行动的。 Tarun Mansukhani recently brought the Kapoor family together in Dining with the Kapoors, a Netflix documentary that offers a glimpse into the lives of one of India's biggest film families. The Dostana and Housefull 5 director served as creative producer on the show, which was created by Armaan Jain. In an exclusive conversation with Filmfare, he talks about how the private family welcomed the cameras into their home. He opens up about the emotional visit to Raj Kapoor's Deonar Cottage and reflects on the different worlds of stardom he has experienced, from working with Shah Rukh Khan, the Bachchans and now, the Kapoors. Excerpts: How did you come on board for Dining with the Kapoors? Armaan and I have known each other for a while. He was supposed to assist me when I was trying to make Dostana 2. The film didn't happen, but we kept in touch. About four years ago, he approached me with the idea that he wanted to do something with his family and food. Back then, I didn't know the family as intimately as I do now to realise how important food was to them. We kept brainstorming over random ideas until Armaan said that he wanted to have one lunch with all the family members coming together and the camera shooting them. My first reaction was, 'Good luck with that,' because I knew the family was very private. They don't like cameras coming into their personal spaces. Even Ranbir and Alia had a very intimate wedding. I wondered how Armaan intends to pull it off, but we decided to give it a shot. That's when the process of speaking to all the family members began. I sometimes accidentally call them actors, but eventually, you realise they are just Armaan's family. They all agreed without hesitation. Was it a logistical challenge deciding who would be present for the shoot? I don't think there was any Kapoor family member who didn't want to be a part of it. In a family that has always done this as a ritual, there was no thought of excluding anyone or avoiding certain members. The challenge was about dates. We asked everyone to give us 10 options and mixed and matched until we found one date that worked for all. After we got the family together, it was then about capturing the moments between them. It has come out well. After a point, they let go of the fact that the cameras were recording them. What was your most surprising discovery about the Kapoor family? I had a perception of what the Kapoor family would be like behind closed doors, and it was completely shattered. You often see them as big actors and stars but in reality, they are just a normal family. Reema Jain feels like multiple aunts of mine and Dabbu uncle (Randhir Kapoor) was like my uncles with his sarcastic remarks. How they interact with each other is how we are with our cousins. What shocked me the most was the normalcy within the family. Nobody was a big star at the table. Everything was just about being together and wasn't anything to do with the film industry. How was the mood during the shoot? It was a bit odd at first with the paparazzi waiting for you, making it feel professional. But you look around and realise it's all family. You are meeting, greeting and talking and suddenly you realise there is a camera. So it stops you in that moment from being yourself. But slowly, you start to go back into being who you are. When Ranbir and others went into the kitchen, that wasn't scripted. Armaan was arranging everything on his own and the family just decided to help. Navya and Shaira were plating, somebody else was putting tadka somewhere or buttering naans. Everything was just moving. They are like a big mad unit together. With the changing definition of stardom, how would you define a star now? Everyone is trying to figure it out. Earlier there were clear markers of stardom such as fan frenzy, brand deals or box office hits. Today, with the way the world has changed, our perception of stardom is gone. There is no metric that has popped up for us to reevaluate. Today, everyone is a star and yet no one will ever be Mr. Bachchan, SRK or Salman Khan. I don't think we will ever see that kind of fan frenzy but there will be a redefinition of stardom. Then there will be a lot of other stars. If you could create a Dining with the Kapoors style show again with another film family, who would you pick? With the other Kapoors - Mr Anil Kapoor and his family. We are in talks for a second season and hopefully, will get to announce something soon. Also Read: Exclusive:Tarun Mansukhani on Unbreakable Bond With Karan Johar & Priyanka Chopra’s Desi Girl Legacy。 2026年8月17日，俄罗斯外长拉夫罗夫在面对记者时把话说得相当直白，他建议日本政府认真去读一读《联合国宪章》，尤其是包括第107条“敌国条款”在内的相关章节。拉夫罗夫强调，日本1956年得以进入联合国，本身的前提就是承认自身军国主义罪责、全面接受《联合国宪章》约束，如今日方领导层若打算挣脱和平宪法的约束、试图改写国际法、逃避历史责任，理所当然会引发国际社会的严重关切。俄方话音刚落，两天之后中方就把这枚“接力棒”稳稳接住。 2026年8月19日，中国外交部发言人林剑在例行记者会上就此作出正式回应，明确表示中方赞同拉夫罗夫外长的相关表态。林剑指出，“敌国条款”是《联合国宪章》中一项重要规定，而今年恰逢东京审判开庭80周年这一具有分量的历史节点，重申该条款的现行效力，其意义在于维护中国人民抗日战争和世界反法西斯战争胜利成果、防止军国主义死灰复燃。他同时提到，《开罗宣言》《波茨坦公告》以及《日本投降书》等具有国际法效力的文件，白纸黑字写清了日本作为战败国应当承担的国际义务，这些文件构成了战后国际秩序的重要基石，也是日本得以重返国际社会的政治与法律前提。＂敌国条款＂里的规则本身写得干净利落，它专门指向德国、日本、意大利这三个二战期间被联合国认定的法西斯战败国。一旦上述国家出现重新武装、推行侵略性政策、挑战战后国际秩序的迹象，中、俄、美、英、法作为联合国五个创始常任理事国，具备越过安理会常规投票程序、无需前置授权直接采取相应惩戒措施的合法法理依据。

B | 这条被日本外交界惦记了几十年的条款，等于一根一直压在军国主义势力头上的法理杠子。废除“敌国条款”，多年来一直是日本外交议程里排名极其靠前的执念级选项。

C | 自1956年加入联合国那天算起，日方就一直以“正常国家”自我标榜，反复推动联合国宪章修订。

D | 冷战时期，这个议题因大国博弈的整体氛围而被搁置。

E | 冷战结束后，日本联手德国借联合国改革的势头再次造势，虽然在1995年推动联大通过了相关修宪建议决议，但这份文件仅具备指导性意义，没有任何强制法律效力。进入21世纪，日方多次拉着盟友提案要求废除条款，均在中俄的坚定否决之下没能翻起太大水花。早在2025年11月下旬，中国驻日使馆及外交部相关渠道就已经在社交媒体上援引“敌国条款”回应过日方的挑衅言论，当时日本外务省立刻跳出来辩解，声称该条款“已经死文化”。

F | 但是从国际法层面来看，一项条款是否失效，取决于《联合国宪章》正式修订程序的完成，而不是靠某一方单独宣称。日本自说自话式的辩解，恰恰暴露了其在法理链条上的先天短板。

G | 眼下这一轮法理利剑的直接引信，是围绕南千岛群岛骤然升温的一场外交碰撞。 2026年8月13日，俄罗斯总统普京亲自登上南千岛群岛中的择捉岛开展视察活动。

H | 作为俄罗斯在本国固有领土上开展的正常主权行为，此举完全符合二战后国际领土划分的既定规则。可是这个动作立刻让东京炸开了锅。当天，日本首相高市早苗召开记者会，宣称“强烈抗议、断然无法接受”，还表示此举将进一步恶化日本国内对俄情绪、增加中长期双边关系修复的难度。

I | 日本外相茂木也紧跟着跳出来抗议。此番表态在俄方看来完全属于越界，等同于公然否定外国元首在本国领土内正常履职的合法性。紧接着，2026年8月18日，俄罗斯外交部召见了日本驻俄大使武藤明郎，由俄副外长加卢津亲自出面，就高市早苗与茂木的涉俄言论向日方表达严重抗议。

J | 俄方还提醒日方注意，鉴于日本长期追随所谓“集体西方”对俄制裁政策，并持续向基辅方向提供支持，莫斯科保留采取对等回应措施的权利。据俄罗斯媒体披露，武藤明郎在俄外交部停留约25分钟后离开，没有对外发表任何评论。拉夫罗夫此后在公开场合直接点出了一个耐人寻味的细节，那位日本大使在莫斯科的日常状态其实相当活跃，社交、外事、商务活动几乎从不缺席，此前还曾未经俄方同意，也未事先向俄外交部报备，就自行组织商务代表团在莫斯科开展相关活动。俄方本着推动双边关系正常化的意愿一直包容至今，可如今在日本政府主动挑衅的背景下，日方大使又在关键时刻出现各种“档期冲突”，这种反差本身就足以让外界看出些许门道。俄方对南千岛群岛的主权归属，早已通过《雅尔塔协定》《波茨坦公告》《联合国宪章》等一整套具有权威效力的国际文件敲定，属于二战胜利的既定成果，本来就没有讨价还价的空间。表面看是几座岛屿的归属之争，实际上落脚点从来都在两个方向：一个是转移国内视线，一个是给突破战后限制找一件像样的外衣。

K | 进入2026年以来，日本在架空和平宪法、推动自卫队“入宪”、扩张国防预算、掏空“无核三原则”等方向上的动作明显加密。据日媒报道，2026年2月2日，高市早苗以自民党总裁身份公开表达了修改宪法、将自卫队写入条文的意愿。对此，中国外交部发言人林剑在同月4日的例行记者会上直接回应，敦促日方深刻反省侵略历史，倾听国内民众和平反战的声音，坚持走和平发展道路，以实际行动取信于亚洲邻国和国际社会。这套“正常国家化”的组合拳，配合不断炒作外部威胁、制造对立情绪的舆论套路，把日本右翼势力这些年扩军备战的真实意图暴露得干干净净。日本作为二战战败国、作为《开罗宣言》《波茨坦公告》中明确规定归还中国领土义务的当事方，本应在这件事上格外收敛，而不是反复越线。俄方从领土主权层面强硬回击日方挑衅，中方从历史法理和国际秩序层面兜底定调，一南一北形成呼应，把日方在几个关键议题上的操作空间同时压缩。